Hip Hop Music
The cause of hip-hop can be traced back in terms of the ancient tribes in Africa. Rap may be in contrast to the chants, drumbeats and foot-stomping African tribes performed before wars, the births of babies, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It absolutely was born to be sure it today inside the Bronx, cradled and nurtured from the youth inside the low-income regions of New York City.
Fast-forward from the tribes of Africa for the ghettos of Kingston, Jamaica from the late sixties. The impoverished of Kingston gathered together in groups to form DJ conglomerates. They spun roots and culture records and communicated together with the audience on the music. At that time, the DJ's comments weren't as essential as the grade of the sound system and its ability to get the crowd moving. Kool Herc grew up within this community before he transferred to the Bronx.
In the late sixties, reggae wasn't favored by New Yorkers. Like a DJ, Kool Herc spun rhythm and blues records to impress his party crowd. But, he to incorporate his personal touch. Throughout the breaks, Herc did start to talk with his audience as they had learned to accomplish in Jamaica. He called out, the crowd responded, and then he pumped the volume back up around the record. This call and response technique was nothing new for this community who'd been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it for the call and response done by Jazz musicians and it was a lot an element of the culture of Jazz music through the renaissance in Harlem.
Herc's DJ style caught on. His party's grew in popularity. He soon began to get multiple copies of the same albums. As he performed his duties being a DJ, he extended the breaks by utilizing multiple copies of the same records. He chatted, since it is called dance hall, with his audience longer and for a longer period.
Others copied Herc's style. Soon a genial battle ensued between Nyc DJs. They all learned the process utilizing break beats. Herc changed over the game by offering shout-outs to people who were there on the parties and identifying his signature call and response. Other DJs responded by rhyming making use of their words once they spoke to the audience. More and more DJs used two and 4 line rhymes and anecdotes to have their audiences involved and hyped at these parties.
One day, Herc passed the microphone to two of his friends. He handled the turn table and allowed his buddies to maintain the bunch hyped with chants, rhymes and anecdotes as he extended the breaks of numerous songs indefinitely. This was the birth of rap we all know it.
Hip-hop has evolved from the times of the basement showdowns to big business in the music business. In the seventies and eighties, the pioneers and innovators in the rap record was the DJ. He was the man who used his turntable to produce fresh sounds with old records. Then, he took over as the guy who mixed these familiar breaks with synthesizers to produce completely new beats. Not much is different in that element of hip-hop. The man who creates the beat remains the heart with the track. Now, we phone him the producer. However some DJs be producers as well as DJs (several begin as DJs before they become producers), today's title "DJ" doesn't carry exactly the same connotative meaning it did from the eighties. Today's hip-hop producer performs exactly the same tasks because eighty's DJ.